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Rosemerry Wahtola Trommer

A Personal Sound Track: How to Keep Yourself in Harmony with the World

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Have you ever wished your life had a sound track? Living in Telluride, Colorado, with a local radio station KOTO and a flurry of music festivals all summer, we just about do have a collective sound track.

 

But I have this fascination with a personal sound track, one that would include lilting melodies for hiking and even ominous organ chords when I am facing danger.

 

And then, a few years ago, I came across an article by Alan Cohen, author of “The Dragon Doesn’t Live Here Anymore.” In “They’re Singing Your Song,” which you can find on his website, alancohen.com, he writes about how “a certain African tribe” uses song in a miraculous way—to remind us who we really are.

 

As his story goes, the women in this tribe go out into the wilderness when they find out they are pregnant, praying and meditating until they channel that child’s unique song—the one that will ultimately express his or her purpose and path. The song that will be not only soundtrack but theme song.

 

After finding the song, the mother returns to the village and teaches it to the rest of the community, and in this way they are introduced to the new being. And in this way, they are able to engage with that child for the rest of his or her life.

 

The song is sung to the child at pivotal life points: birth, the beginning of education, the initiation into adulthood, marriage and at the death bed. 

 

I was drawn to the story immediately, partly from personal experience. I know that the first thing my mother did when they laid me on her belly was to sing to me, and for my whole life, I have felt marked by that song. Though she didn’t go out into the wilderness to find it, she did sing it to me almost daily for many years, wrapping me in unconditional love: “How I love my pretty baby, sweet and cuddly pretty baby, how I love my pretty baby, honest to goodness I do.”

 

But Cohen’s story takes the theme song notion a step farther. He writes, “In the African tribe there is one other occasion upon which the villagers sing to the child. If at any time during his or her life, the person commits a crime or aberrant social act, the individual is called to the center of the village and the people in the community form a circle around them. Then they sing their song to them. The tribe recognizes that the correction for antisocial behavior is not punishment; it is love and the remembrance of identity. When you recognize your own song, you have no desire or need to do anything that would hurt another.”

 

Every time I try to share this part of the story with other people, it makes me cry. Every time. I think it’s because there is so much resonance in what he relates. As he says, “There is something inside each of us that knows we have a song, and we wish those we love would recognize it and support us to sing it. … How we all long to be loved, acknowledged, and accepted for who we are!”

Though I doubt the veracity of the story, suspicious, I suppose, because the tribe is unnamed and I have been unable to research my way into any such story, I still love it. It is true in that it resonates. And so, before my son was born, I went on a long walk to find his song, and did. And taught it to several women who sang it to him at his birth. And last week, I took a long walk until I found a song for the little girl about to arrive in our family, “Woodsie,” as we’re calling her for now.

 

Whether or not we have a song, we know when we are “in tune” with ourselves, our families, our communities and our environment. And I like the notion that the singing of a song can remind us of who we are. If our mother’s didn’t give us one, we can perhaps choose one ourselves. Come up with a lyric that suits who we want to be and then play it when we need to make important decisions. Or when we are scared. Or when we know we’ve done something out of key and need a little reminder of who we are.

 

To remind, of course, means to remember. The prefix re- in this case means “again.” And the mind, as dictionary.com details, is “that part of a human being that thinks, feels, and wills, as contrasted with body.”

 

When we mind our song, we are living in harmony.

 

As it is, when I try to sing my son his song, he says, “Mom. Please stop singing.”

 

Sometimes we’d rather not hear our soundtrack. Sometimes the singer might be more annoying than helpful. Maybe someday my son will be grateful for the lyric that promises him “in your life you’ll always have enough.”

 

At least for now I can delight in the fact he says “please,” music to my ears.

 

**

 

Song for Woodsie

 

 

There are places you will go

that we will never go,

there are lessons you will learn

you can teach us.

 

There are mountains you will climb

and rivers you will find

and roads that you will take

where you will lead us.

 

And everywhere you go

you will always know

you’re surrounded by love and wonder.

 

and everywhere you are

you will always find

a place where beauty breathes

 

inside of you, outside of you

inside, outside.

Published Thursday, June 19, 2008 1:53 AM by Rosemerry Wahtola Trommer

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Laurie said:

i have always had a soundtrack going when things slow down (me) and wrote this poem earlier this summer.  

Kisses on Vivian's sweet cheeks.  Hope you are doing well.

Friday, August 15, 2008

The Pelicans at Sand Lake

your whiteness drifted down

out of storm clouds

circled heavy to the green water

dancing to wind

but we are nervous about your

arrival to this small place

I remembered

your eyes held mine

the bite still holds strong,

even now holds itself to me

drifting in this small place

I need to leave and circle

down out of storm clouds to

where water dances to wind

but I am nervous

about my own arrival

what song is playing

what simple melody

goes with this endless scene

of white pelicans drifting

on green water in a wind

that makes the water dance

remnants of my sleeve

are caught on branches

my smile loosens in the twilight

I am watching pelicans

white and nervous

in this small place.

September 20, 2008 11:30 AM
 

Heather said:

Sweet Love,

So grateful for this blog today - and that I KNOW about your blog now!  Hurray!  I cherish this story about singing our songs to one another.  I have often reread it (I received it years ago in an email) to be clear about my real purpose on this planet.  And now in youth mentoring, it is a daily practice - listening for each unique song and working to make that audible to each child.  If partnership and parenting don't have this as a primary focus - then what is all the work worth in the end?  Thank you for making this concept fresh again! Blessings. Blessings.  Blessings.

March 9, 2009 3:40 PM
 

Beth Patterson said:

Hi Heather--

Thanks for stopping by the Tea House--and your comments are very sweet. Thanks for your comments--and it makes my heart feel warmed to know that you are working in youth mentoring.  Thank you for listening so deeply--

Hope to see you more often around the tea house!

March 12, 2009 12:04 AM

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About Rosemerry Wahtola Trommer

Poet, writer and organic fruit grower Rosemerry Wahtola Trommer uses poetry to help people re-engage with the world beyond pagers and to-do lists. She was recently appointed Poet Laureate of San Miguel County, Colorado. She has authored and edited nine books, including If You Listen winner of the Colorado Independent Press Association poetry award, and her poetry is widely anthologized, including The Geography of Hope: Poets of Colorado’s Western Slope, What Wildness This Is: Women Write About the Southwest, and Improv: An Anthology of Colorado Poets. Rosemerry teaches public speaking for Mesa State College, directs the Telluride Writers Guild, teaches poetry in schools, teaches with Young Audiences, writes an award-winning linguistics column for the Telluride Daily Planet, writes for magazines including Natural Home and Backpacker, sings with a 7-woman a cappella group, and is mother and step-mother to three-year-old Finn and 24-year-old Shawnee. Whew. In 2007, she and her husband, Eric, bought a 70-acre orchard and now grow organic peaches, pears, cherries, nectarines, apples and apricots. Her master’s degree in English Language & Linguistics is from University of Wisconsin—Madison.
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